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The BB Guns In Gangsters

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     Throughout the chapter Gangsters in Sag Harbor  the entire "gang" becomes more or less intoxicated with the BB guns, and the whole chapter revolves around them and the eventual fight. There seems to be a number of reasons why Benji ultimately gets shot in the eye and why the guns are so appealing to them however, ihe first of which being American gun culture in general. I'm pretty sure this wasn't as much of a social issue in the 1980's as it is today but it feels like an important background factor for all of this. They all succumb to it too, even though Benji brushes it off at first thinking that guns were below them (pg. 151). On page 157 when he actually shoots one of them he admits that it was fun though the satisfaction was more from finding another way to spend their time.     The constant use of gendered language in "Gangsters" also seems to contribute to their obsession with the BB guns. There's his reference to "the Man Isle"

The Role of Secrets in Disco

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    Throughout the chapter Disco Jason and other people in his life start to reveal a lot of secrets that have been building and weighing on him over the course of the book. He starts by revealing how Neal Brose has been extorting him for "popularity lessons", then later he finally tells Michael about the broken watch, and Michael tells Jason about the divorce (Mitchell 260; 277-278). There's also the lesson from Miss Lippetts about secrets, which may have been part of the reason he finally talked about the watch, and it also one of the few times Jason has said anything in class. It seems like that made Jason start to reconsider the secrets he had been keeping after seeing it in a classroom setting, though by that point he had already started to throw out a lot of already arbitrary rules. The one secret that he doesn't tell anyone in this chapter is his connection to what happened to Ross Wilcox, which may have been more so because he didn't think he needed to do

Was Bruce's Death a Suicide or an Accident?

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     Bruce's death is one of the most important events in this book and a lot of Alison's reflections and contemplations revolve around it. She specifically mentions how she sees that her coming out is linked with his death, and while that's probably true to some extent and it makes a sense in the narrative of Fun Home , based on what she says in the book I still don't think it was actually a suicide. The main reasons Alison gives for it being intentional is how her coming out seems to have caused the divorce which drove him to suicide (Bechdel 58-59) There's also the constant theme throughout the book that Bruce more or less failed his coming of age due his staying closeted, and that that sense of failure could have also driven him to suicide, and the sense that he kind of felt trapped in Beech Creek (Bechdel 125) However, Alison also gives us reason to believe it wasn't a suicide: she mentions that Bruce jumped back in front of the truck like he'd seen a s

Is the Bell Jar Really Gone?

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    One of the more important questions that the ending of the The Bell Jar  leaves unanswered is to what extent the bell jar Esther felt trapped by is really gone. Esther herself even acknowledges this, "How did I know that someday … the bell jar, with its stifling distortions, wouldn't descend again?" (Plath, 241). It's unclear to if it's even entirely gone by this point, and it's possible it could just be replaced by another one. Esther also mentions on page 238 that the other girls at college were under a different kind of bell jar. Esther's college experience has been one where she felt very trapped by the pressure on her to succeed and to have a plan for her future, so in that way the entire academic world has been somewhat of a bell jar for her. However, she seems to be more or less back to her old self by the end of the book, but with a different outlook on the world.     Adding to the fear of the bell jar is Buddy's comment about who Esther wo

Why Holden Doesn't Actually Hate Movies

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    Throughout The Catcher in the Rye Holden constantly mentions that he hates the movies. So much so that it's one of the first things we learn about him when on the second page he says "If there's one thing I hate, it's the movies. Don't even mention them to me" which was also in reference to DB being in Hollywood. However, they seem to keep coming up in the story, and he even has some memories of seeing movies with Phoebe as well as DB multiple times. He mentions having seen her favorite, The 39 Steps multiple times as well and here he doesn't even seem to dislike it (Salinger 76). There's also the trip he goes on at the beginning of the book with Ackley and Brossard to see a movie though they never end up actually going to it (Salinger 42). And then there's the fact that he seems to  talk about movies in a way that implies that he's seen enough to know they're all bad. While that might have been possible in New York in the 1940s, but i

All posts from here on will be for Coming of Age Novel

The Hero's Journey in As I Lay Dying

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    It is definitely not easy, but I do think it's possible to see some elements of the hero's journey in William Faulkner's As I Lay Dying . However, the hero isn't just one individual, it's the entire Bundren family which is essentially acting as one unit. It is also possible to see some smaller hero's journeys for individual characters like Darl and Cash, but here I'm just going to focus on the Bundren family, since I think it's easiest to see a hero's journey that way. However, there are still many steps that aren't really here. There's not much of a supernatural aid, meeting with the goddess, temptation, atonement with the father, and it feels like a lot of the parts of the return phase are also missing. However, there is a significant change in the family over the course of the journey, mainly Anse deciding to get a new wife days after burying Addie, and Darl going to a mental hospital. They do seem to have gone through some kind of col